2)In what ways can French New Wave cinema be considered a product of Essay

2)In what ways can French New Wave cinema be considered a product of its particular moment institutionally, technologically and culturally Your answer should make close reference to ONE or TWO films - Essay Example While French cinema was changing after the Great War, the cinemas across Europe were not in as great transformations. It is perhaps for this reason that French New Wave cinema was and is considered one of the watershed movements of all time in terms of cinematic creation and cinematic experience (Neupert, 2007). In many ways, French New Wave cinema can be seen as a rejuvenation of filmmaking that came about as a reactionary approach to contemporary filmmaking. This paper will look into the French New Wave cinematic movement in order to decipher the various changes introduced by it. In addition, this paper will explore the effects of institutional, technological and cultural factors that made the French New Wave cinematic movement one of the world’s most prominent cinematic transformations. Two French New Wave films, Jules and Jim and The 400 Blows will be analysed in detail in order to meet the objectives stated above. The French New Wave cinematic movement is considered as being influenced by the Italian neo-realistic movement of the same age. In essence, the French New Wave cinematic movement allowed the filmmaking quarters to revisit the basics in order to redefine them. Among other things, cultural and peculiar historical events played a large role in defining how this particular cinematic movement began and progressed. During the Nazi occupation of France, the French cinema became both the tool and the property of the German state. A number of French directors, producers and actors collaborated with the Nazis in order to create new films through the course of the war. After the war ended, these filmmakers and actors were not highly looked upon by filmmaking circles in general. French cinema after the Second World War was looking for change. This change came through as a host of new filmmaking techniques were introduced in tandem with cinematic themes and new faces